Written & Directed by Amir Nizar Zuabi
Performed by Nadine Malouf


They call it a civil war, but there is nothing civil in this. Nothing civil at all. 

Step into the kitchen. The onions are cooking on the stove and meat is on the cutting board waiting to be chopped. Our host is preparing kubah, a traditional Syrian dish. While she cooks, she tells us the story of meeting Ashraf, a Syrian exile, and falling in love with him as he desperately tries to help those he was forced to leave behind. When he vanishes, she impulsively trails him to her homeland—one she has never known, now consumed by war. As the meal comes together and then falls apart, we learn the stories of brutality, grace, and humanity of the Syrian refugees she meets along the way.

In its U.S premiere, writer and director AMIR NIZAR ZUABI and PLAYCO will present OH MY SWEET LAND for the first time in home kitchens and community spaces creating a theatrical experience that will be close, personal and lift what’s happening in Syria out of the news cycle and into a simple human interaction that allows us to hear and feel in a different way.

Oh My Sweet Land was created by Amir and the actress Corinne Jaber from their experiences traveling amongst Syrian refugee camps in Amman, Jordan. In his forward to the published script, Amir writes:

We met people in the harshest moments of their life, yet still they were generous, full of grace, hope and even humour. This piece is inspired by their stories but more than anything it is inspired by their spirit – that elastic rubber-like ability humans have to adapt and to weather the storm. 

Oh My Sweet Land had its world premiere in Lausanne, Switzerland and has been seen in London at The Young Vic, Dublin at the Abbey Theater, in Amsterdam, Abu Dhabi, Mumbai, and Toronto. The script is published by Bloomsbury.

Running time: approximately 75 minutes without intermission

Photo by: Pavel Antonov




Meet the Writer/Director


Amir Nizar Zuabi is an award-winning theater writer & director, the artistic director of ShiberHur theater company in Haifa, Israel, an associate director of Young Vic London, and an associate partner of the United Theaters Europe. Writing and directing credits include I am Yusuf and This is my Brother, In the Penal Colony, Alive From Palestine, Oh My Sweet Land,The Beloved, (co-produced by ShiberHur/Young Vic), Three Days of Mourning, West of Us the Sea, Dry Mud, Against A Hard Surface (ShiberHur). Directing credits include: Samson and Delilah (Flanders Opera, Antwerp) Jidarriya by Palestinian poet Mahmoud Darwish (Edinburgh International Festival, Bouffes du Nord, and world tour), Mid Spring Musical The Comedy of Errors (Royal Shakespeare Company as part of World Shakespeare Festival). Currently Zuabi is writing a play for the National Theatre, London.

Photo: Ute Langkafel

Meet the Performer


Nadine Malouf most recently played the lead role of Laila, in the world premiere adaptation of Khalid Hosseini’s best selling novel, A Thousand Splendid Suns, at American Conservatory Theatre, that then went on to Theatre Calgary, in Canada. She also played the title role in the world premiere of Salomé, written and directed by Yaël Farber, at the Shakespeare Theatre Company in DC [winner of seven Helen Hayes Awards in 2016]. Off-Broadway, Malouf most recently appeared in the world premiere of Ultimate Beauty Bible (Page73), This is How it Ends (59E59), The School for Scandal (Redbull Theatre), The Who & The What (LCT3), and Exile (Cherry Lane). Other theatre includes Scorched (Syracuse Stage) and Macbeth (GBS Theatre, RADA).

Malouf has developed new work at Sundance Theatre Lab, The Public, Lincoln Center, New York Theatre Workshop, and most recently with Simon McBurney. TV credits include Mysteries of Laura and Odd Mom Out. In film, Malouf recently played the lead role in the short film Resolutions, which premiered this year at the LA Indie Film Festival; other films include May in the Summer, Shame, and Static Shock. Malouf received her training at Syracuse University and the Royal Academy of Dramatic Arts.

Damascus Bakeries first opened its doors in 1930 by our (maternal) grandfather. The bakery, nestled in the heart of a Middle Eastern community in downtown Brooklyn, was named after Grandfather’s childhood home in Syria. Our passion derives from their passion. For us, bread is a labor of love and food is very emotional. Thank you for breaking bread with us.